Since we love cinema, even the Italian one, for days we have been following the scandal of public funding, already titled “Filmopoli”. Tax credit, funds requested under a certain government, money paid under another, ghost questions, rain contributions. The situation, a mediocre screenwriter would say, “is more complicated than it seems”.
What we understand is that the system – born many governments ago, perfected by Minister Franceschini and then corrected by the ministers Sangiuliano and Giuli – made water from all sides. The tax credit, under those conditions, was unsustainable. Something halfway between a sort of citizenship income for cinema and a special bonus facades for production houses.
Everyone always thinks that their political opponent is more dishonest than him. And as far as we personally we are used to wary of the right, it seems to us that this time in the race to favor friends, relatives and colleagues he won with low hands and full pockets the cultured left, festival and democratic.
The one who self -deployed the David di Donatello for culture, who drains public money for private purposes, which transforms the cast into a friendFor factory, sly self -celebrabra, sides, takes home the money and then complains with the prime minister on the right who crosses in the foyer.
The jokes, we who are not able to make them, we leave them to Geppi Cucciari. We only know that the right has always made a mistake. Instead, the left is right: “With culture we eat,” he said. And also a lot.