Telefattoquotidiano – il Giornale

There would have been more than a million viewers, if only 600 thousand more had tuned in. But in the end on Saturday evening the program Peter Gomez’s Confession, making its debut on …

Telefattoquotidiano - il Giornale


There would have been more than a million viewers, if only 600 thousand more had tuned in. But in the end on Saturday evening the program Peter Gomez’s Confession, making its debut on Rai3, attracted 425 thousand spectators, more grillino less grillino. The share, somewhere between embarrassing and disgraceful, was 2.5%. Yes, Peter Gomez – someone who never stops talking before the audience has finished listening – will be able to do even better; It is true. But sometimes he’s very good at giving the worst.

Instead, the first episode of the new season of Accordi & Disaccordi by Marco Travaglio sul Nove captured the attention (and we regret using the verb “capture” with our colleagues from Fatto Daily) of just 300 thousand viewers. Share, between the debacle and Armageddon, of 1.9%. However, in defense of the program, it must be said that the other protagonist in the studio is Andrea Scanzi; someone so uselessly full of himself that when he crosses the pedestrian crossing he is convinced he is one of the Beatles.

It has nothing to do with it. But when will Report investigate the relationships between Loft Produzioni, the company that publishes Il Fatto Quotidiano, and Rai?

Anyway.

The consideration to be made is another. «TeleMeloni» is not good, it’s true. But «TeleFattoquotidiano» isn’t doing any better. Demonstrating that on TV, now, the wars between those with poor ratings are won by those rich in recommendations.