We are the first to say it. Beatrice Venezi is unsuitable for the role of director of La Fenice. But not even the Phoenix. Precisely to the role of orchestra conductor. Indeed, unsuitable for any role, in general. She has no titles, no CV, she’s not even beautiful to be honest and she has horrible hair. We know it. She is there because she is a friend of Meloni, she doesn’t know how to direct and when they gave her a baton she thought she had to eat sushi with it. Long live Verdi, down with Venice!
But what we saw the other evening on Realpolitik – one of those programs where for 200 minutes they attack the government without cross-examination while explaining that democratic confrontation is at risk – was more than embarrassing. He was fascist. Tommaso Labate, a telegenic barber, with a social-reformist moustache, a D’Alema who made cosmetics and ended up at Rete4 at the Progresso level, broadcast a report that veered into crime, with an incomprehensible investigative tone, where the disguised people spoke as if they were witnesses in a mafia investigation: Venezi as Matteo Messina Denaro, with Lucca in place of Castelvetrano. And he, in a fake voice, courageously accused: «He has the statue of the Duce at home! Maybe on the piano…” (when, as we know, he played the violin).
They say: Venezi must be kicked out of La Fenice
not because she is right-wing, but because she is not good: the problem is not political, but technical. Well. So why don’t they focus on technical data but use politics to get it out?
However, beyond 3.1% share they are not the same.