That the media, even the great international media, have become guilty unreliable is now certain. Therefore the information, affected by the politically correct syndrome, infected by the woke virus that gives spasms of delirium tremens Due to the abstinence of Cancel Culture, it no longer enjoys the trust by those who have managed to keep alive the neurons that make up the thinking brain. To all the others, unfortunately, all that remains is to live in the limbo of the illusions and certain data, indeed very certain, inculcated by force by the constant and daily washing that is carried out, like an unstoppable perpetual motion, at all hours of everyday. Holidays included.
Fake news without any testmade upsets shot and reported according to the narrative of the popular vulgate and above all of the destructive ideology that has taken hold in all the environments that count. Politics, culture, academy, art, fiction and all that human knowledge should be has been reduced to a cumolo of rubble in recent years on which, Obtorto neckwe will be forced to reconstruct our world in the future. We see it everywhere, cinema: Snow White and seven differently grown. Art: the banana of millions of euros or the elephant who paints with the trunk, with all due respect to Giotto, Raffaello and Michelangelo. Music: more famous singers for colored hair, for the practically non -existent tattoos and clothes that leave nothing more to the imagination that once would have been good for pornographic films, for their sexual guidelines, gender, fluids and whoever has more they put them more, that not for their ugles.
Returning to information, especially from the Middle East, the theme that given the winds of the fought war and the next Ventura catastrophe interests us in a particular way, In recent years we have witnessed a wide range of hoaxes On the front page by the most prestigious newspapers and printing agencies, but the excuses repeatedly repeated by the BBCof New York Timesof Timesfrom the Cnnfrom the ReutersOf Antennas 2 And of many others, including the various Italian newspapers and news that for reasons of space we cannot list.
The conditional has never been so necessary, but the article ignores it completely. Information transformed into emotional narration. The structure of the piece follows a well -known rhetoric direction: title as a military court. Details that cause horror in readers (gloves still worn, tied hands, shots, crushed ambulances). Israeli silence. Denunciation of “yet another war crime”. Everything is built to make the horror coincide with guilt. No question is asked.
No Israeli voice is present, not even to deny. The omissions are not neutral. The war context is completely missing: Rafah is now the scene of active fighting. Hamas did not say it used ambulances, schools and hospitals for military purposes (documented by several reports and videos, also contested, but existing). The IDF has not been said to have denounced the systematic use of humanitarian operators to transport weapons, and that these cases are subject to investigations.
The article of Fanpage.it It is not even questioned on a fundamental detail: what elements do they allow to affirm that it is a deliberate execution? Where are the tests, the reports, the images? None. When information abdicates, the representation remains. We are not in front of a fake news, the sources exist, but they are treated with narrative faith, not with a critical spirit. The story stands on indignation, not on verification, as if the reader should hear and not think. The result is a text that accuses without trying, he believes without verifyingexcites without explaining. The responsibility for information is more urgent than ever. The wars are also fought on the narrative level.
An accusation of “execution of civilians” by a democratic state At war it cannot be advanced without investigations, checks and contradictory. Not to defend Israel, but to defend the very sense of information. This is not an appeal to the “balance”, but to epistemic responsibility. If the horror is real, it must be told with the categories of truth, not with the codes of emotion. At the point where we arrived it is necessary to report when the words jump the logical passages, when the narratives appropriate the facts and rewrite them, when a title has more force than ten checks. Especially when it happens in the heart of Italian information that tells a war theater such as the Middle Eastern one within which a large part of the destinies of the world are playing, and that of Fanpage.itUnfortunately, it is not that the umpteenth case of bad information by the European press in general and Italian in particular.
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